Jazzis! You're right! But in the rock world, it goes way beyond pissing. And progressive rock music has to be seen as electronic technology first, or even Johnny Winter ($500,000 1967 Columbia Records signing bonus) would still be sitting there like everyone else with an acoustic. I'm still waiting to hear another rock guitarist play the solo from "Rock Around the Clock" by Bill Haley and The Comets. I'm still waiting for another songwriter like Buddy Holly, producing himself and writing strings and horn arrangements rock'n'roll people bought. The first eight-track dubs, Les Paul. Phil Spector and his "wall of sound". Tower of Power horns, Philly Soul, Motown and Muscle Shoals songs, bringing R+B. James Brown brought funk into it. Bob Marley brought raggae. The Sir Beatles imbedded English and German pub and The B.B.C. studio orchestra, showing to the world how not being able to sound like your songs live can break up the biggest act. Shure's hi&lo impedance public address systems and mikes. Whoever made the first 1,000 watt "three-way" P.A: Fender, Gibson, Rickenbacker, Heathkits, Belmont, Kent, Traynor, Stuart, Rogers, Ludwig and Gretch. Roto-toms. The first wah-wah, phasing, flanging, volume feedback, the most detailed headphone stereo mix, Stratocaster and Marshall stack use, creating an axis of sound even in arenas, an enduring hit, Jimi Hendrix. Frank Zappa wrote it down. Elvis broadcasts first with satellite uplinks. Steely Dan showed you could have chart-toppers without touring. Queen showed how overdubs become proprietary content. The Doobie Brothers helped make it public. Mick Fleetwood showed how a great English drummer can become a hit L.A. coke opera. Electric Light Orchestra with live strings. Rush showed how a stalled recording career could be remastered, recycling old songs as new material for a double live album. Nirvana up fronted classic rock innuendo, showing you could tour big time even if you couldn't stand up onstage or play lead guitar, marrying a stripper, only smelling teen spirit. Michael Jackson enhanced sex'n'drugs denial. Guitarists adding a lower bass string and playing down there. Jeff "Mutt" Lang taking Shania country made rock production something else Nashville had to copy. Sting regifted Nashville by writing "Every Breath You Take", using six very cliche chords almost everyone could get, winning a first Grammy and becoming the "divorce" song. Milli Vanilli took anonymous album credits and upgraded to Grammy exposure, only lipsynching. Tupac and Biggie scratchin'n'spinnin' showed how you could rap inside a coffin to make comeback history. "Comedy is the new rock and roll". Wrestling "The New World Order" now headlines arena revenues. A reElviscarol take hits #1 in England, tying Beatles for #1's in The New Millennium. As we sit, The Hollywood and Disney formats proliferate, being fantasy and literal cyberspace overtaking actuality. 50's Comic book characters are the biggest draws. "The Medium is the Message", said by Professor Marshall McCluhan in the 60's. With "The Global Village" he's more accurate than ever.
A rock'n'roll prophet? Maybe for the third stone from The Sun.
I'm going to regret signing off, and/or with no disclaimers, still glad to be alive and free. But this got me thinking what my ten favourite hard to soft rock foods are. Black cherries, peaches, bananas, cherry pie and apple pie, salami, hot wings and legs, strange fruit, drive-thru takeout, ketchup, spray whipped cream, water hoses, watermelon, suga'cane, subs, makin' bacon, canoli, hash brownies, munchies, fries, seeds and nuts, spring onions, yeah... pass me one of those.
I need to crunch some green numbers.