Hi Sybarite,
now I thought about our discussion which took place here for about a month ago, and I have to admit my opinion on the matter seems to shift slowly to yours. I would not be that categoric now anyway. Sorry about that one more time.
You know that in the modern - pop, rock, whatever - music it works in a different way as it would be in classical. That is, an artist have to find or create himself his own niche in the show biz; create an image corresponding to it; and then follow this image, if he only wants to get a steady fan base and to be sold.
And his music must of course correspond to this image as well.
In the classical music, which is and was never that show-dependent, all you have on your hands to judge about the composer's music is actually his music itself - the scores or recordings. Then, to make the conclusions one have to consider not only his/her gender/orientation, but also the actual tendencies in his contemporary arts, all his/her influences, the collaboration with colleague-composers etc. So I believe nevertheless that the conclusions ( of the kind gay - not gay ) still can be made, as it all comes out somehow processed and reflected in "his own way", but then there would be a really large-scale analysis needed. I am not sure if it worth it, generally, though it would be rather interesting to read to the one.
Well then, one can state also, that this thread had gathered ( to the present hour ) 40 posts and 958 views!!!! Which is absolutely unbeatable , if you take a look through this or other MMIF forums. Only games and polls attract more attention ( I wonder if
Tchaikovsky alone, without
SEXUALITY could get more than 10 posts ). So , it is what people really want to chat about, don't they?
My best regards to London ( and in all other directions ),
Andrew