Todd
New member
I dithered over this set for a while. I wanted to hear Michel Blocks take on Iberia, but I didnt know for sure that he was the one playing the work. I saw no need to get Aldo Ciccolini in this work in this box since his set is available on its own, and I had no idea who Gonzalo Soriano or Teresa Llacuna were. Once I determined that it was Michel Block playing Iberia, I took the (cheap) plunge.
My expectations for Blocks Iberia were mostly fulfilled. As I expected based on some of his later Pro Piano recordings, Block plays with almost limitless flexibility and nuance in all aspects. He tinkers with tempo and rhythm, dynamics, texture, color everything but in a most fluid and engaging and mostly self-effacing way. A few of the individual pieces seem a bit heavy and slow at times though even then the playing is irresistible but Block merely uses such a ploy to maximize contrasts within the various pieces. His variety and touch and nuance are simply wonderful. My preferred Iberia remains Esteban Sanchezs version, but this makes a nice addition to my collection indeed!
The rest of the set just came along for the ride. Fortunately, some of it is of a satisfyingly high order. Aldo Ciccolini plays Enrique Granados Goyescas and does a generally fine job of it. I prefer his take to Alicia De Larrochas take on RCA, which just doesnt click for me. (I have Michel Blocks Pro Piano recording of the same work on its way to me right now; I have high hopes.) The real find for me in this set is Gonzalo Soriano, who takes up much of the rest of the set, playing some Albeniz, Granados, and Falla. His tonal range isnt the broadest Ive heard, but his rhythmic control and subtlety and superb control of dynamics make me want to hear more from him. Hes got a swagger and panache that I find quite appealing. Okay, his Noches en los Jardines de España isnt the best Ive heard, but only that extraordinary team of Walter Gieseking and Kurt Schröder make this work really click for me. Alas, Teresa Llacunas contribution to the set isnt so great. She plays a selection of works by Manuel de Falla and mostly just bangs away at the keyboard, with little in the way of nuance, grace, or even clarity. It was a chore to sit through her portion of the set. She even manages to make Fantasia Baetica sound unpleasant. Next to Esteban Sanchezs remarkable recording of that (and other Falla works), she sounds like an amateur.
The sound is as good as can be given the age of the recordings; the Soriano recordings are mostly from the 50s, the others from the 60s and 70s. For some reason, the set was mastered in HDCD, so if you have a player that decodes HDCD youll hear even more.
So, come for the Block, stay for the Soriano. A fine set.