This video is intended to demonstrate the human differences between music and drugs.
That's Eric Clapton, most famous as the anonymous "the fifth Beatle",
and Michael Jackson, as famous for hiding behind plastic surgery.
Eric Clapton was talking about heroin back then, as much a part of his promotion as saying '57 Les Pauls.
When he was left behind in Ontario during a "Blind Faith" tour, Bonnie and Delaney, a local husband and wife rock band,
took him in. After he became mobile and toured with them, he went south for his "Lay Down Sally" and "I Shot the Sheriff" era.
That was using a Stratocaster with a very clean, thin sound, with a hired guitar player for the hot solos.
When he got raunchy again he came out with "Cocaine", one of the biggest hit songs in North American history.
Discos played it, rock bands played it, even country bands played it, and it was a very easy song to play and sing.
You have to think of the Jackson Five and their hit albums, all that white powder falling and piled up in their album artwork.
They sang about it, they danced about it, and after a while, as they aged, you could see the toll it was taking.
As Michael Jackson descended into a private coke hell that only this kind of wealth and rock star seclusion could allow,
yeah... you already know... his desire to never get old, sex with young boys, all the plastic surgery and eyeliner tattoos...
Michael Jackson was found unconscious in a shack north of L.A. with the body of a dead white man beside him.
He fled the United States the next day. His comeback tour was orchestrated in England, but he died before it happened.
So there is a North American collapse and recovery for Eric Clapton, and an English recovery and collapse for Michael Jackson.
Look how difficult it looks for Eric Clapton to be singing such a basic melody, if there really is one.
This was a song that had dance floors and audiences shouting along with the lyrics.
The bass player, playing a part that is five times more difficult than any other instrument in the song,
is afro-american, helping to make Eric Claptons' act look hot, and he's moving more than anyone else onstage.
See how the back-up singers are trying to look hot, being flashy rock, but they have one limited move and don't dance.
Micheal Jackson is bringing the expensive Quincy Jones funk production,
with one of the biggest bass lines from one of the biggest chart hits in North American music history.
He's showing his drug fueled moves, looks and almost frenzied approach to acting for the camera.
As I type this, condensing my thoughts, I can only say it proves how great this new art-form is.
The videos and sound are captivating, and they have to be, using what were big hits already.
But this blend goes beyond mere eye-candy and click-bait, to demonstrate our musical lives and online reality.
Look at Eric Clapton "bopping away". That's what John, Paul and George did when they played live.
Can you imagine what kind of band they would have been, if they had started dancing or got funky?
Ebony and Ivory, side by side on the piano, Paul playing and singing with Michael singing for the video,
even if the players were coming from two different sides of the ocean and two very different life-styles.
This is like two parallel lines of coke that were snorted by two different people, from different sides,
that didn't come together. I'm sure you know who ended up owning the Beatles' songbook royalties.