Most Innovative and Talented Prog Rock Artists

White Knight

White Knight

Spectral Warrior con passion
:trp:I hereby open nominations for the most innovative and talented progressive rock musicians over the last 40 years or so. My own two top candidates to top the slate would be Jimi Hendrix and Keith Emerson. The floor remains open for further nominees.:cheers:
 
Dorsetmike

Dorsetmike

Member
The Dutch group Focus, especially Jan Akkerman and Thijs Van Leer

Renaissance, (1971-80)

  • Annie Haslam (vocals)
  • Michael Dunford (guitar)
  • John Tout (keyboards)
  • Jon Camp (bass, vocals)
  • Terence Sullivan (drums, percussion)
Sky, John Williams, Herbie Flowers, Tristan Fry, Francis Monkman and Kevin Peek.
 
White Knight

White Knight

Spectral Warrior con passion
Hi Mike, how are you and yours? I must say that I am unfamiliar with all of the groups which you posted except for a slight remembrance of having listened to a little bit of Renaissance back in the late seventies or early eighties:confused: Please let me know if this color is any easier for you to discern. Tata for now. Steve
 
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White Knight

White Knight

Spectral Warrior con passion
Mike, thanks so much for sharing those Focus and Sky links from youtube. I am totally blown away :eek: by the artistry and talent of Sky. Wow! I never heard of them or their music before; the fact that John Williams--of whom I'd heard--is in this group is no small matter indeed. I will be going to Amazon.com and getting their cds asap! As regards Focus, I owe you an apology as I realized after listening to their cuts that I had in fact seen them as the opening act for either Procol Harum or another British group back in the seventies. Akkerman's yodeling on "Hocus-Pocus brought back that memory. Also that particular song was played a lot on FM "progressive radio" back in the day. The song "Sylvia" is also a keeper!:clap: Please let me know if the color ink I'm using in this post is better for you.:cheers: Hope to hear from you soon and that all is well with you and yours. Steve. p,s. I thought their last piece "Hotta" was a bit overlong and repetitive; nice as a travelogue ad for Sky perhaps:confused: As always, Bach is beyond reproach.:smirk:
 
Art Rock

Art Rock

Sr. Regulator
Staff member
Sr. Regulator
Genesis (with Gebriel and/or Hackett)
Pink Floyd
Yes
Marillion (the Fish years)
Peter Gabriel solo
Renaissance
Focus
Porcupine Tree
Kayak
Camel

for starters........

Personally not a big fan of ELP, Jethro Tull or King Crimson (the other usual suspects).
 
Soubasse

Soubasse

New member
I'll echo Art Rock's list mostly especially Peter Gabriel (with or without Genesis) Yes and Focus ... I mean who the hell would ever think of putting yodelling into a rock track? Brilliant!

I'm quite partial to Spock's Beard as well (the band that is)

So glad to see Sky cutting the list here - they've come in for a bit of stick on other forums I'm on but I was a huge fan of their first few albums. Francis Monkman's keyboard work still stands out as a quiet influence for me, he really made a synth sound like a synth if you know what I mean. And his pieces don't date either: FIFO and Where Opposites Meet are pieces you can listen to and not think "sounds 70s or 80s" (well I can anyway)

Went a bit too jazz when Steve Gray joined but they still put out some fine work before Williams left. Didn't think too much of the Mozart album though (a bit "easy listening").

Saw them live twice - just as impressive on stage as on record (as one would expect with that level of musicianship). Second time I saw them they had none other than Rick Wakeman as guest keyboardist - huge bonus!
 
Dorsetmike

Dorsetmike

Member
One track on a Sky album intrigues me, the Gavotte and Variations on harpsichord, pure Rameau, except a couple of repeats dropped, I love the piece, have 2 other (Classical) recordings of it. I also played about with the score in Finalé and played the result through GrandOrgue VPO. It does seem out of place on the Sky disc, did they do it in concert?
 
White Knight

White Knight

Spectral Warrior con passion
Soubasse, I couldn't agree with you more re: your observations pertaining to Sky and Focus. Before yesterday--believe it or not --I had never even known that the group Sky existed! :shake: But, thanks to my friend DORSETMIKE, he turned me onto them via Youtube and I was simply blown away by their musical talent and artistry--wow:eek: Spot on with Focus as well.:tiphat: Akkerman--I believe that's his name:confused:--not only yodels but plays the flute and keyboards as well on "Hocuspocus. If he were an American football player, he would be termed a "triple threat". Hope all is good with you and yours.:cheers:
 
Soubasse

Soubasse

New member
Dorsetmike said:
One track on a Sky album intrigues me, the Gavotte and Variations on harpsichord, pure Rameau, except a couple of repeats dropped, I love the piece, have 2 other (Classical) recordings of it. I also played about with the score in Finalé and played the result through GrandOrgue VPO. It does seem out of place on the Sky disc, did they do it in concert?
Click to expand...

Monkman in his element on that one. It was no surprise to learn that he was a conservatory-trained harpsichordist. It was also his recording that made me want to take up harpsichord in the Early Music ensembles when I got to University. I can still play most of the Rameau variations from memory. Don't think he ever did it in concert, no

Whiteknight, Jan Akkerman was the (excellent) guitarist in Focus, it was Thijs van Leer who did organ, flute and vocals.
 
John Watt

John Watt

Member
I gotta mention Phil Collins.
First, he's the drummer, and back-up vocalist for Genesis, who helped define progressive rock.
And then he took over lead vocals when Peter Gabriel quit. More progressive hits.
Phil came out solo, playing and singing traditional American r'n'b, making bigger hits.
And then Phil came out with an album after his marriage breakdown,
with songs like "Coming in the Air Tonight", making even bigger hits,
making his life part of so many others, his emotions, what was happening with him.
And then his newer originals, Motown flavored, brought him greater success.

But now, reading about him, how he can't drum because of spinal problems,
how he's giving up his music career, is difficult for me to understand, or sympathize.
He says he's into American Civil War history and collectibles, turning away from music.
I can kinda understand, seeing as how he sung he can't dance and he can't sing,
but why Phil can't just leave it all behind him, onstage, and be a lead singer,
is his problem. I hope he realizes it, and that the world is waiting for him.
He's one player whose journey through life is always worth getting into, even as we age.
 
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