moi vs vu

MOI VS. VU

  • Mothers of Invention

    Votes: 3 75.0%
  • Velvet Underground

    Votes: 1 25.0%
  • Neither

    Votes: 0 0.0%

  • Total voters
    4
Rate these two iconic bands from the 60's early 70's:smirk:

MOI - Mothers of Invention (or just Mothers) and VU Velvet Underground (or Velvets) with or without Nico..

Now these bands were both produced by Tom Wilson (who first signed them both) and were both popular at the same time and both tried on outlandish music for the time. And more importantly Frank and Lou hated each other....


For the unintitate (if there are any?) straight Wiki version below - don't want to influence anyone - I like both bands but for different versions.

MOI - The Mothers of Invention were an American rock band from California that served as the backing musicians for Frank Zappa, a self-taught composer and performer whose diverse musical influences led him to create music that was often impossible to categorize[citation needed]. Their work is marked by the use of sonic experimentation, innovative album art, and elaborate live shows.

Originally an R&B band called The Soul Giants, the band's original lineup included Ray Collins, David Coronado, Ray Hunt, Roy Estrada and Jimmy Carl Black. Zappa was asked to take over as the band's guitarist following a fight between Collins and the band's original guitarist. Zappa insisted that the band perform original material, changing their name to The Mothers. Founded in 1964, the band first became popular playing in California's underground music scene in the late 1960s. Under Zappa's leadership, the band signed to Verve Records, releasing a début album, Freak Out! (1966), with a lineup which consisted of Zappa, Collins, Black, Estrada and Elliot Ingber.

Under Zappa's leadership and a fluctuating lineup, the band released a series of acclaimed albums, including Absolutely Free, We're Only in It for the Money and Uncle Meat, before being disbanded by Zappa in 1969. In 1970, Zappa formed a new lineup of The Mothers which included Ian Underwood, Jeff Simmons, George Duke, Aynsley Dunbar and singers Mark Volman and Howard Kaylan, formerly of The Turtles, who were credited as The Phlorescent Leech & Eddie for contractual reasons. Later adding another ex-Turtle, bassist Jim Pons, this lineup lasted until the end of 1971, when Zappa was injured by an audience member during a concert.


VU- The Velvet Underground was an American rock band formed in New York City. First active from 1964 to 1973, their best-known members were Lou Reed and John Cale, who both went on to find success as solo artists. Although experiencing little commercial success while together, the band is often cited by many critics as one of the most important and influential groups of the 1960s.[1] In a 1982 interview Brian Eno made the often repeated statement that while the first Velvet Underground album may have sold only 30,000 copies in its early years, "everyone who bought one of those 30,000 copies started a band."[2]

Andy Warhol managed the Velvet Underground and it was the house band at his studio, the Factory, and his Exploding Plastic Inevitable events. The provocative lyrics of some of the band's songs gave a nihilistic outlook to some of their music.[3][4]

Their 1967 debut album, The Velvet Underground & Nico (which featured German singer Nico, with whom the band collaborated), was named the 13th Greatest Album of All Time, and the "most prophetic rock album ever made" by Rolling Stone in 2003.[5][6] In 2004, Rolling Stone ranked the band No. 19 on its list of the "100 Greatest Artists of All Time".[7] The band was inducted into the Rock and Roll Hall of Fame in 1996, by Patti Smith.
 

John Watt

Member
I think teddy is willing to throw a snowball made out of that yellow snow.
Other than sharing a producer, there really aren't many comparisons you can make between these two bands.
Velvet Underground was as much a drug scene as they were musicians.
Frank and his band looked like track and field athletes getting all hot and sweaty onstage.

But I have a question.
What's with Frank being injured by an audience member? I didn't know that.

EddieRUKiddingVare! If you're a Zappa freak, are you familiar with his producing the double album,
"Wild Man Fischer", this "street musician" singing, but featuring one of Frank's best instrumentals?
 
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Yes and yes and yes i'm a Zappa freak...

and thanks Teddy for the yellow snowball

Wild Man Fisher yes and did you know Frank discovered and produce other artists such as Alice Cooper (same zappa lable as Wild Man) and Tim Buckley (see http://en.wikipedia.org/wiki/Straight_Records)

Oh and audience injury yep - that happened in the UK, Rainbow Theatre London,when some crazed guy thought Zappa was given his girl the eye in the audienceand he pulling Zappa of stage into the orchestra pit – severely injuring him.In hospital when came to apparently the first words he said were Peaches EnRegalia lol
He could not walk for a period of time - one of his legsended up shorter (hence lyrics in Zombie Wolf) and his voice drop an octave orthird or something!
 
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John Watt

Member
That's a crazy injury! Too bad.
A local band, Max Webster, did one of the best "Peaches En Regalia".
My bassist friend in high school bought Frank's first record, a double album,
and one of the first songs we kinda figured out was "Motherly Love".
Yeah, motherly love is good for you.
Not sisterly or brotherly or fatherly love, but motherly love, it's the love we know.
 
MOI- still winning!

More thoughts on the MOI vs Vu debate - the reason I raised them for discussion was as they both spanned the same time period in rock, were experimental, were not widely received initially and became so well known, it seemed a good idea
One East coast the other west coast and during the sixties Zappa's Mothers of Invention and The Velvet Underground with Lou Reed and John Cale were competitors for the promotion budget of MGM, for which both groups were contracted.

Zappa and Lou also had ongoing feud for many years with quotes such as:

"Frank Zappa is the most untalented musician I've ever heard. He's a two-bit pretentious academic, He can't play rock 'n roll because he's a loser...". Lou Reed

On the tapes for Zappa's "We're only in it for the money" The Velvet Underground got mentioned via a musician complaining that he has to play Zappa's creations and to make matters worse, he has to play with the Velvet Undergroud the next day, "just as shitty a group"


The reason they differ is that they are so similar

Both:
- started their careers as Doo Wop producers
- fused rock and roll with, shall we say, highbrow influences
- saw their groups as extensions of themselves
- had formidable female members in their groups (Ruth and Nico)
- made less successful records of "electronic music" (e.g. Franceco and Metal Machine)
- had dancers in their act
- had deep, idiosyncratic voices
- would re-arrange their songs throughout their career
- significantly changed their sound in the early 70's after breaking up their groups
- were produced by Tom Wilson
- were known for having bizarre fashion sense.
- had bass players who alienated their groups (Scott Thunes and John Cale)

I think the fact that they are so similar, is why a feud existed between them also.

Interestingly Lou Reed inducted Frank Zappa into The Rock N Roll Hall Of Fame!
"I respected him and I know he respected me," said Reed after comparing Zappa to Andy Warhol
actually, Frank admired Lou as a songwriter; Femme Fatale and All Tomorrow's Parties were two of Frank's favorites!
 

John Watt

Member
I'm still surprised EddieRUKiddingVare knows who Wild Man Fisher is.

And at the neonatal new member phase of his forum experience,
EddieRUKiddingVare started off seemingly to be moi vs vu,
and now my enforced bilingualism makes me think it became moi vs tu.
That really doesn't have to make sense, or seem funny.
 
I think Girls Outrageously Together would win that one

or where you referring to the MC5
from Lincoln Park Michigan

[video=youtube;KCC0lihHBwQ]http://www.youtube.com/watch?feature=player_detailpage&v=KCC0lihHBwQ#t=11 0[/video]
 

John Watt

Member
The MC5, the Motor City Five, known for using on a recording for the first time,
the line "kick out the jams, motherfuckers".
That's a quote from an album played on American FM in the late sixties.

Frank Zappa! Even if EddieRUKiddingVare is hitting me with so much new stuff,
where some of it isn't making sense, it was enough to make me forget the good stuff.
I would like to remind everyone,
that the war on drugs in the Reagan era really changed recording attitudes,
because crossing the Canadian border is important as sales and concert revenues.
Border guards could pull a band over for very lengthy searches,
or deny you right away, saying you have illegal drug references on your album.
Back then, getting radio play was all about AM, with some FM spreading around.

Frank Zappa always said he didn't do drugs. I found that hard to believe,
considering how he looked, and his first album, "Freak Out", as The Mothers of Invention.
At the time, that album was up there with Janis Joplin's "Big Brother and the Holding Company".
Holding is about holding drugs, and that's one of the worst musical efforts in recording history.
Neil Young was doing "Needle and the Damage Done", what you didn't go through,
as much as Americans.
Lou Reeds' promotion was as much about heroin addiction, as it was about music.
So was his approach to playing guitar, famous for just three chords.
Frank wrote music, his band played like an orchestra......

There I was, in the "cow palace" in Edmonton, Saskatchewan, a big, almost round arena with a dirt floor.
Two flatbeds were off to one side , end to end, set up for a big rock band.
It was Frank Zappa and the Mothers of Invention, with Flo and Eddy, maybe 1970, '69.

It was a great show, and as I typed before, Frank and the band looked and dressed like track atheletes,
and were very sweaty, using towels on and off stage. Aynsley Dunbar played one of the best drum solos.
It was strange to see longhairs playing with sheet music,
even if the show reminded me more of a college play thing, a fun night, Flo and Eddie being highlights.
Considering it was his band and show, and he had a wicked sense of humour, Frank wasn't into the spotlight.
I saw one of his college or university paintings get a $20,000 appraisal on the Antiques Roadshow.

After the show seemed to be winding down, I decided to go backstage and look around.
the band started walking off, coming down the stairs.
Aynsley Dunbar was standing there, toweling off, and I was thinking of shaking his hand,
when Frank walked by, giving me a look, and then giving his guitar to a roadie.
I asked if I could play a chord on it, to the roadie, and Frank turned back to say,
"What chord would you play", so I said my most complicated chord, a Gsus7+15,
for me, the 15 being a combination 6th and 9th. Frank said "can you really play that chord",
and signaled to the roadie, who handed me the guitar. Frank looked a little askance,
as I held it upside-down, and strummed it right away. They both were just looking,
so I riffed a little, very nice, and Frank said we've got to go, and the roadie took the guitar.

The guitar had to be a '64 S.G. like Santana, and my high school friend Dan Kozar, used to play.
What was odd is that Frank had two big black humbuckers on it, taped with bandage tape,
and they were loose, what made me a little hesitant at first, playing it. It looked like a beater.

While I am describing a complete evening of entertainment, it was just a rock band.
It wasn't a rhythmic thing, and there wasn't a dance floor.
In the end, Frank Zappa is remembered more for his wit and smarts, than his music.
He certainly gave good interview, good face time, with excellent album rhyme.
Poodle bites. Poodle chews it. He always informed us of L.A. goings on.
I wonder what he would do, writing about a new phenomena, using balloons.

Discreet Records, I still get off on that one, even if I'll never be on one.
doodle do dit, doodle doodle do dooooo, doodle do dit, doodle doodle do dooooo...
as the majorettes are tossing it as they walk by, Peaches en Regalia
 

John Watt

Member
This is a live concert performance by the Talichova Komorni Filharmonie,
at the 2012 Golden Prague International Television Festival.

If science is being able to play sheet music as written,
and art is being able to play what isn't written,
rock music isn't about having to make any notations,
because you are up there onstage all alone with yourself,
looking your audience in the eye, performing as best you can.
Franks' music lives on.

https://www.youtube.com/watch?v=o3yXzRe5CfI
 
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John Watt

Member
Max Webster was five Sarnia boys when I first met them.
Kim Mitchell came on to me after a matinee, asking me about my guitar playing, and singing.
I moved to Toronto, having his phone number, and we met to watch Dr. Music, a heavy cover charge.
Mike Tilka, the bassist, who quit to manage the band, was with him.
They asked me if I would rehearse with them for three days, and play a one-nighter that Saturday.
I had to talk.
I said you're asking me to join a band where half the song list is Frank Zappa songs, very complicated,
that you've been playing for a long time. That's a lot of work, if I join and want to do new songs,
the ones you think I can sing that you can't, and that's true.
I was singing r'n'b, able to imitate Ian Gillan and Robert Plant, yeah, lotsa imitations.
I said you're a band in transition, and I see the keyboard player as not being into it.
He's a real pianist, a non-partier, and he wants to go home. Two months later he did.
I told Kim he's already the singer, and look how famous the band is.
Over ten years later, he won a Juno as best rock singer.
We exchanged a Fender Jazzmaster, experimenting with humbuckers and single coils,
what worked out better for me, my first DiMarzios, still using them.

This is a hard core, Frank Zappa influenced song,
a reunion of various musicians, playing live in a club.
Is it "time to wake up to a morning cosmic"?

EDIT: I just watched the whole thing to see what I was showing you,
and at the end, Pye Dubois stands onstage to say some of his lyrics.
This can only be his participation in this reunion event,
because he was never onstage before, and this is the only time I saw him.
A lot of people thought Kim made him up, to cover his own writing.
Taking it to the Max always meant inventive wordplay.

https://www.youtube.com/watch?v=I8Nry1SEYJM

 
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John Watt

Member
I got Zapped!
These postings have inspired me to think of a Frank Zappa style record label name.
Disclaimer Records. That's right! I didn't write that song about you. No, I didn't.
 
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