I'll mention a few. The piece "Notturno" op. 54, no.4, begins as though drawn from or inspired by one of Chopin's nocturnes but soon enters a sound world which anticipates Debussy's Clair de lune. In fact, I'm not sure when it was composed and it may have been contemporary to Debussy's early impressionistic music. The piece "Bells", op. 54, no.6, while more "literal" than Debussy's Cathédrale engloutie, nevertheless strikes me as also expressing this kind of early (pre)impressionist poetry.