I came here to reply to myself, this book is bringing such joy into my life.
JHC! Wow, nice, nice compliment, but not as nice as the natural montage of your backyard.
I took more photos towards the back of the book but I could only upload six.
I could use my scanner but the book is bigger. It's not marked or written in at all, just very old.
Krummhorn... I left a private message and asked for your comments and appraisal,
so I'm happy to see your reply. You're right about both editions being together.
I went to St. Vincent dePaul again today to show them, volunteers from a different church,
and I'm going to take it there every day this week in the hope the person with the other is there.
I can only blame myself if you want to think of it as losing a monetary windfall.
When I first saw the books, I showed them to staff, showing them what they had,
and even found and pointed out "Moonlight Sonata", saying it's all Beethoven's sonatas,
as produced by Felix Mendelssohn, an original edition from Germany.
I was even saying the history of piano is here, turning away from harpsichords.
I could have gone next door to a store I had a job doing window lettering for,
to borrow $2. I could have gone to the store on the other side, another customer.
It was afternoon, I could have gone to TD to take out $2.
But I only had $2, both books were $4, and, uh, I'm not a pianist.
When I went to the library to get another movie, right across the street,
I went back in and bought the book that was there. I gave them $5.
Today was different. People heard about me walking around Saturday, showing it.
I've been walking past this music lessons sign every day going downtown or coming back.
A nice little sign in front of a nice old house, very well maintained.
The gentleman inside invited me in to show him the book.
He had a huge console organ with Bose speakers, and a grand piano in his living room.
He said he was working in a church in Scarborough, and had a pic of him and the mayor.
He said he'd like to play something for me, and I asked if his feet were fast.
This man was a beautiful player. I just stood behind him to be in the middle,
closing my eyes, hearing the sound moving all around me.
I told him about Magle.dk, saying he should be a member here, and he took the address.
And then he played me a fast fast foot solo, and then he played the keyboard with it.
But Krummhorn, if there ever was one musician I've met in Ontario who should be a member,
it's this man, and I think he's worth a special invitation, not that mine is worth that much.
Showing the book, seeing and hearing this gentleman, makes finding the book worthwhile.
I said if I wanted an hour lesson for myself as a Christmas present,
how much would you charge, and he said $50.
If anyone can listen to me riff out in Cm and show me things to elevate my playing, it's him.
I was lipping off and he's saying John, I went to university for music, I have a doctorate,
something like that, I was looking around so much.
So I'll be sending him a thank you email and hoping to see him here.
Robert E.A. Anderson, street address and home and cell numbers,
[email protected]
As I was walking to buy a pop, a woman on a house balconey called me over.
She said she was Scottish, after we got talking, so I showed her the book.
She also said she has a friend who is having a crisis of conscience,
about being Scottish and Canadian, and they want to take me up north to meet him.
A McGoogle, a clan you don't hear of very much.
Having "googlee-eyes" is over 2,000 years old. This woman took me to her friends' music studio,
all of us getting into the book and I was listening to them talk about their music.
So far, no-one has asked me how much, what's it worth, nothing like that, nice, very nice.
However, now that I know what I have, what the pianistic qualities are that make these sonatas historic,
I have an idea.
If I don't get to put both books together, having one is nice, but it's not a complete set.
I'd be thinking about wealthy Arabs or Asians who want to own a piece of European history,
or a university in Ontario, or a conservatory. Does the Beethoven Museum have them?
I've been typing on Magle.dk, and always got a huge thrill when Frederik Magle replied.
I've been trying to put together the money to buy "Like a Flame",
thinking it's not worth it to send overseas for just one CD, so I'd want to order more.
I spend so much time, get such a deep influence, and see comments that move me,
plus Corno Dolce being there for me when my life was dangerous and I was only hurt.
So if you've got the ear of Frederik Magle, Krummhorn, even you JHC,
if I don't come up with the other one, could we have a trade?
What I hear on Like a Flame is music I want to try and recreate with my extensive electronics,
and inventive guitar, the semi-solid-body, that has harmonics that fly off the frets, and strings.
It hurts, it hurts a little, knowing I had both books in my hand and it's only my fault I don't have both.
Here's the remaining photos of the back of the book.
JHC! What you said about the photos enlarging got me thinking,
wondering what inspecting the element meant,
while I was trying to delete the two extra photos.
And then "developer tools" came on. I see this as dangerous to the domain.
That's the easiest way to cause domain problems, call it a virus if you will.
Clicking on photos and seeing the codes is something you don't see any more.
All you have to do is delete a few characters, or type some new ones in,
and it begins to degrade the electronic viability of the entire domain.
You can be drastic and immediate, or let it take it's time, undetected.
If I was going to try and play one of the Beethoven sonatas in this book,
I'd white out every fourth note so I'd have a chance.