Marc
New member
Charles de Wolff, former chief of the Netherlands Bach Society, died last Thursday at the age of 79.
As organist he was famous for his interpretations of J.S. Bach, Max Reger and Olivier Messiaen.
As conductor he had to struggle to survive in Naarden (hometown of the Bach Society) after the HIP-revolution in the 70s. De Wolff's style had developed itself to some 'in between' way of Bach playing, with fresh tempi but still large choirs and orchestras. In 1983 he decided to leave the Bach Society. Almost the entire choir left with him.
I attended many concerts by De Wolff in Groningen, where he was conductor of the Noord Nederlands Filharmonisch Orkest, during the 2nd half of the 80s. I can assure you that it wasn't a punishment to listen and watch a noble performance of Bach's Matthäus or Johannes Passion with soloists like Barbara Schlick, Sylvia Schlüter, Kurt Equiluz and Max van Egmond!
Since a year or two, after my own organ rediscovery , I also realized that De Wolff was indeed very good on the organ, the instrument he loved so much. I cherish two nice organ discs with him, which were recorded in the late 60s and re-issued on the small cd-label Prestare. Unfortunately, they are very difficult to get outside the Netherlands.
Charles de Wolff was a fine and inspiring musician.
May he rest in peace.
As organist he was famous for his interpretations of J.S. Bach, Max Reger and Olivier Messiaen.
As conductor he had to struggle to survive in Naarden (hometown of the Bach Society) after the HIP-revolution in the 70s. De Wolff's style had developed itself to some 'in between' way of Bach playing, with fresh tempi but still large choirs and orchestras. In 1983 he decided to leave the Bach Society. Almost the entire choir left with him.
I attended many concerts by De Wolff in Groningen, where he was conductor of the Noord Nederlands Filharmonisch Orkest, during the 2nd half of the 80s. I can assure you that it wasn't a punishment to listen and watch a noble performance of Bach's Matthäus or Johannes Passion with soloists like Barbara Schlick, Sylvia Schlüter, Kurt Equiluz and Max van Egmond!
Since a year or two, after my own organ rediscovery , I also realized that De Wolff was indeed very good on the organ, the instrument he loved so much. I cherish two nice organ discs with him, which were recorded in the late 60s and re-issued on the small cd-label Prestare. Unfortunately, they are very difficult to get outside the Netherlands.
Charles de Wolff was a fine and inspiring musician.
May he rest in peace.